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dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

    noun

    • 全体剧中人物
      all the characters in a play in the theatre

      柯林斯词典

      • (一出戏中的)剧中人物,全部角色
        The characters in a play are sometimes referred to asthe dramatis personae.

        英英释义

        noun

        双语例句

        • FTL meme refers to the vocal language of dramatis personae in films or TV programs imitated and transmitted from mind to mind.
          影视语言模因是指被复制和传播的电影电视节目中人物的有声语言。
        • From the translation style of the dramatis personae's language, the author analyzes the artistic achievement of Ying Ruocheng's translation of "Death of the Salesman".
          本文试从戏剧人物语言的翻译风格的角度,试析著名艺术家、翻译家英若诚先生戏剧翻译作品《推销员之死》的艺术成就。
        • The love choices of Dramatis personae signify their political ideals, so a hero and a beauty beat a handsome scholar and a pretty girl.
          主人公对爱情的选择象征着其政治理想的归属,英雄美人“打败”了才子佳人。
        • Liang Heng 'prose works can be classified into two categories: the landscape prose and dramatis personae prose.
          梁衡的散文作品从题材上可以分为山水散文和人物散文。
        • Vengeance: A Eternal Telepathy And Dialogue&-The Comparison on the Dramatis Personae of A Tale of two Cities and The Weald
          复仇:超时空的感应与对话&《双城记》、《原野》人物比较
        • In the form, both Nauseous and Stranger are accounts in dramatis personae's own words, syncretizing the literary side and philosophical side.
          在形式上,《恶心》与《局外人》都是主人公的自述,文学与哲学融为一体;
        • Dramatis personae created by Camus have many same characteristic with those classic tragic heroes. And we can associate them together easily.
          加缪作品的主人公具备同古典悲剧主人公相似的性格特征,其人物形象也能让我们联想到很多经典的悲剧人物。
        • This leads to the identity without consciousness to the traditional moral when dramatis personae obey the modern moral.
          由此而带来的道德两难现象反映到文学上,首先体现为作品中的人物在服膺现代道德时对传统道德的不自觉地认同。
        • Chenran ( and dramatis personae in her novels) feels much alone, meanwhile tastes the desolation, and then upgrades the loneliness to lay of philosophy and the desolation to compass of art.
          陈染在追求人类终极意义的途中,是如此地感受着孤独,品尝着忧伤,并将孤独提升到哲学层面,把忧伤升华为艺术境界。
        • When acting as a connotation character, it compares with the dramatis personae and sustains each other.
          当“我”以内涵人物出现时,“我”和主人公参差对照,重叠互映,各得生命;